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The Clock

The Clock

Romance · Drama · 1945

A G.I. en route to Europe falls in love during a whirlwind two-day leave in New York City.

Movie details

The Clock

“Every second a heart-beat-”

1945 Romance · Drama 1h 30m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

A G.I. en route to Europe falls in love during a whirlwind two-day leave in New York City.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Clock?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Love Everlasting

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Bridger is a young outsider who's always wanted more. He and his mother flee an abusive home, eventually finding a small town in the middle of nowhere. Once there, Bridger finds true acceptance with another misfit.

The Age of Innocence

The Age of Innocence

Drama · 1993

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Untamed Heart

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Ordinary Love

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The Lost Husband

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Sweet November

Sweet November

Drama · 2001

Nelson is a man devoted to his advertising career in San Francisco. One day, while taking a driving test at the DMV, he meets Sara. She is very different from the other women in his life. Nelson causes her to miss out on taking the test and later that day she tracks him down. One thing leads to another and Nelson ends up living with her through a November that will change his life forever.

Where it lives

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Names above the title

The people responsible.

Directed by

Vincente Minnelli

Written by

Pauline Gallico · Robert Nathan · Paul Gallico · Joseph Schrank

Judy Garland

Judy Garland

Alice Maybery

Robert Walker

Robert Walker

Corporal Joe Allen

James Gleason

James Gleason

Al Henry

Keenan Wynn

Keenan Wynn

The Drunk

Lucile Gleason

Lucile Gleason

Emily Henry

Marshall Thompson

Marshall Thompson

Bill

Ruth Brady

Ruth Brady

Helen

Court is in session

Put The Clock on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.