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Marrying Mr. Darcy

Marrying Mr. Darcy

TV Movie · Comedy · Romance · 2018

Schoolteacher Elizabeth Scott and businessman/philanthropist Donovan Darcy are blissfully in love and newly engaged. As the weeks fly by and the arrangements for their small autumn wedding grow more elaborate and Donovan, wrapped up in his work, is increasingly unavailable. Reminded yet again of their tremendous differences in background and temperament, Elizabeth can’t help but ask herself: should she marry Mr. Darcy?

Movie details

Marrying Mr. Darcy

2018 TV Movie · Comedy · Romance 1h 30m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Schoolteacher Elizabeth Scott and businessman/philanthropist Donovan Darcy are blissfully in love and newly engaged. As the weeks fly by and the arrangements for their small autumn wedding grow more elaborate and Donovan, wrapped up in his work, is increasingly unavailable. Reminded yet again of their tremendous differences in background and temperament, Elizabeth can’t help but ask herself: should she marry Mr. Darcy?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Marrying Mr. Darcy?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Steven R. Monroe

Written by

Teena Booth · James Iver Mattson · B.E. Brauner · Teri Wilson

Cindy Busby

Cindy Busby

Elizabeth Scott

Ryan Paevey

Ryan Paevey

Donovan Darcy

Frances Fisher

Frances Fisher

Violet Darcy

Lini Evans

Lini Evans

Linda Scott

Tammy Gillis

Tammy Gillis

Jenna Scott

Yasmeene Ball

Yasmeene Ball

Zara Darcy

Ryan Kennedy

Ryan Kennedy

Henry Robson

Court is in session

Put Marrying Mr. Darcy on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.