The defence The Prestige Tourist
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
Back to trending 
The Tree
Drama · 2010
The O'Neills lived happily in their house in the Australian countryside. That was until one day fate struck blindly, taking the life of Peter, the father, leaving his grief-stricken wife Dawn alone with their four children. Among them, eight-year-old Simone denies this reality. She is persuaded that her father still lives in the giant fig tree growing near their house and speaks to her through its leaves. But the tree becomes more and more invasive and threatens the house. It must be felled. Of course, Simone won't allow it.
Movie details
The Tree
“Life is a force of nature”
2010 Drama 1h 40m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.4 / 10
Community rating
The O'Neills lived happily in their house in the Australian countryside. That was until one day fate struck blindly, taking the life of Peter, the father, leaving his grief-stricken wife Dawn alone with their four children. Among them, eight-year-old Simone denies this reality. She is persuaded that her father still lives in the giant fig tree growing near their house and speaks to her through its leaves. But the tree becomes more and more invasive and threatens the house. It must be felled. Of course, Simone won't allow it.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Tree?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Adrenaline Seeker
“If it slows down, you check your phone.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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After a suicide attempt, Lane has moved into her country house to recuperate. Her best friend, Stephanie, has come to join her for the summer. Lane's mother, Diane, has recently arrived with her husband Lloyd, Lane's stepfather. Lane is close to two neighbors: Peter, and Howard. Howard is in love with Lane, Lane is in love with Peter, and Peter is in love with Stephanie.
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A family of six's fresh start on 1990s Vancouver Island unravels as their youngest child, Sasha, witnesses the increasingly dangerous behavior of her older brother, Jeremy.
The Miracle Season
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After the tragic death of star volleyball player Caroline "Line" Found, a team of dispirited high school girls must band together under the guidance of their tough-love coach in hopes of winning the state championship!
Mass
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Two couples meet for a painful and raw conversation in the aftermath of a violent tragedy.
Ordinary Angels
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Inspired by the incredible true story of a hairdresser who single-handedly rallies an entire community to help a widowed father save the life of his critically ill young daughter.
The Lovely Bones
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After being brutally murdered, 14-year-old Susie Salmon watches from heaven over her grief-stricken family -- and her killer. As she observes their daily lives, she must balance her thirst for revenge with her desire for her family to heal.
The Shack
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A grieving man receives a mysterious, personal invitation to meet with God at a place called 'The Shack'.
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Names above the title
The people responsible.
Cast & crew
Directed by
Julie Bertuccelli
Written by
Julie Bertuccelli · Elizabeth J. Mars
Charlotte Gainsbourg
Dawn O'Neil
Morgan Davies
Simone O'Neil
Marton Csokas
George Elrick
Christian Byers
Tim O'Neil
Tom Russell
Lou O'Neil
G
Gabriel Gotting
Charlie O'Neil
Aden Young
Peter O'Neil
Court is in session
Put The Tree on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Adrenaline Seeker
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.