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The Greatest

The Greatest

Drama · 2009

Teenagers Rose and Bennett were in love, and then a car crash claimed Bennett's life. He left behind a grieving mother, father and younger brother, and Rose was left all alone. She has no family to turn to for support, so when she finds out she's pregnant, she winds up at the Brewer's door. She needs their help, and although they can't quite admit it, they each need her so they can begin to heal.

Movie details

The Greatest

2009 Drama 1h 39m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Teenagers Rose and Bennett were in love, and then a car crash claimed Bennett's life. He left behind a grieving mother, father and younger brother, and Rose was left all alone. She has no family to turn to for support, so when she finds out she's pregnant, she winds up at the Brewer's door. She needs their help, and although they can't quite admit it, they each need her so they can begin to heal.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Greatest?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Othello

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Names above the title

The people responsible.

Directed by

Shana Feste

Written by

Shana Feste

Pierce Brosnan

Pierce Brosnan

Allen Brewer

Susan Sarandon

Susan Sarandon

Grace Brewer

Carey Mulligan

Carey Mulligan

Rose

Aaron Taylor-Johnson

Aaron Taylor-Johnson

Bennett Brewer

Johnny Simmons

Johnny Simmons

Ryan Brewer

K

Kevin Hagan

Priest

Amy Morton

Amy Morton

Lydia

Court is in session

Put The Greatest on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.