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Crazy, Stupid, Love.

Crazy, Stupid, Love.

Comedy · Drama · Romance · 2011

Cal Weaver is living the American dream. He has a good job, a beautiful house, great children and a beautiful wife, named Emily. Cal's seemingly perfect life unravels, however, when he learns that Emily has been unfaithful and wants a divorce. Over 40 and suddenly single, Cal is adrift in the fickle world of dating. Enter, Jacob Palmer, a self-styled player who takes Cal under his wing and teaches him how to be a hit with the ladies.

Movie details

Crazy, Stupid, Love.

“This is crazy. This is stupid. This is love.”

2011 Comedy · Drama · Romance 1h 58m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

Cal Weaver is living the American dream. He has a good job, a beautiful house, great children and a beautiful wife, named Emily. Cal's seemingly perfect life unravels, however, when he learns that Emily has been unfaithful and wants a divorce. Over 40 and suddenly single, Cal is adrift in the fickle world of dating. Enter, Jacob Palmer, a self-styled player who takes Cal under his wing and teaches him how to be a hit with the ladies.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Crazy, Stupid, Love.?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Glenn Ficarra · John Requa

Written by

Dan Fogelman

Steve Carell

Steve Carell

Cal

Ryan Gosling

Ryan Gosling

Jacob

Julianne Moore

Julianne Moore

Emily

Emma Stone

Emma Stone

Hannah

Lio Tipton

Lio Tipton

Jessica

Jonah Bobo

Jonah Bobo

Robbie

Joey King

Joey King

Molly

Court is in session

Put Crazy, Stupid, Love. on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.