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Love, Rosie

Love, Rosie

Romance · Drama · Comedy · 2014

Since the moment they met at age 5, Rosie and Alex have been best friends, facing the highs and lows of growing up side by side. A fleeting shared moment, one missed opportunity, and the decisions that follow send their lives in completely different directions. As each navigates the complexities of life, love, and everything in between, they always find their way back to each other - but is it just friendship, or something more?

Movie details

Love, Rosie

“Right love. Wrong time.”

2014 Romance · Drama · Comedy 1h 42m

Critical arithmetic

One number, for now.

TMDB

7.8 / 10

Community rating

Since the moment they met at age 5, Rosie and Alex have been best friends, facing the highs and lows of growing up side by side. A fleeting shared moment, one missed opportunity, and the decisions that follow send their lives in completely different directions. As each navigates the complexities of life, love, and everything in between, they always find their way back to each other - but is it just friendship, or something more?

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Love, Rosie?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Christian Ditter

Written by

Juliette Towhidi

Lily Collins

Lily Collins

Rosie Dunne

Sam Claflin

Sam Claflin

Alex Stewart

Christian Cooke

Christian Cooke

Greg

Tamsin Egerton

Tamsin Egerton

Sally

Suki Waterhouse

Suki Waterhouse

Bethany Williams

Jaime Winstone

Jaime Winstone

Ruby

Art Parkinson

Art Parkinson

Gary Dunne

Court is in session

Put Love, Rosie on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.