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New Life

New Life

Drama · Romance · 2016

Benjamin Morton's life changed forever the day he met the little girl next door. Ava was and always would be the girl of his dreams. From the innocence of a childhood friendship, through adolescent attraction, their love strengthens and grows. When life takes a turn neither of them expected, their entire future is called into question.

Movie details

New Life

“Where there is love, there is life.”

2016 Drama · Romance 1h 30m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Benjamin Morton's life changed forever the day he met the little girl next door. Ava was and always would be the girl of his dreams. From the innocence of a childhood friendship, through adolescent attraction, their love strengthens and grows. When life takes a turn neither of them expected, their entire future is called into question.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over New Life?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Drew Waters

Written by

Erin Bethea · Candice Irion · Josh Spake · Drew Waters

Jonathan Patrick Moore

Jonathan Patrick Moore

Benjamin Morton

Erin Bethea

Erin Bethea

Ava Kennedy/Morton

James Marsters

James Marsters

William Morton

Barry Corbin

Barry Corbin

Oscar

Terry O'Quinn

Terry O'Quinn

Dr. Philip Sumrall

Bill Cobbs

Bill Cobbs

Mr. Charles

Irma P. Hall

Irma P. Hall

Margaret

Court is in session

Put New Life on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.