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Love Story

Love Story

Romance · Drama · 1970

Harvard Law student Oliver Barrett IV and music student Jennifer Cavilleri share a chemistry they cannot deny - and a love they cannot ignore. Despite their opposite backgrounds, the young couple put their hearts on the line for each other. When they marry, Oliver's wealthy father threatens to disown him. Jenny tries to reconcile the Barrett men, but to no avail.

Movie details

Love Story

“Love means never having to say you’re sorry.”

1970 Romance · Drama 1h 40m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

Harvard Law student Oliver Barrett IV and music student Jennifer Cavilleri share a chemistry they cannot deny - and a love they cannot ignore. Despite their opposite backgrounds, the young couple put their hearts on the line for each other. When they marry, Oliver's wealthy father threatens to disown him. Jenny tries to reconcile the Barrett men, but to no avail.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Love Story?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Breathe

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Where it lives

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Names above the title

The people responsible.

Directed by

Arthur Hiller

Written by

Erich Segal

Ali MacGraw

Ali MacGraw

Jennifer Cavilleri

Ryan O'Neal

Ryan O'Neal

Oliver Barrett IV

John Marley

John Marley

Phil Cavilleri

Ray Milland

Ray Milland

Oliver Barrett III

Russell Nype

Russell Nype

Dean Thompson

Tommy Lee Jones

Tommy Lee Jones

Hank - Oliver's Roommate

Sydney Walker

Sydney Walker

Dr. Shapeley

Court is in session

Put Love Story on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.