The defence The Prestige Tourist
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
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Eighth Grade
Comedy · Drama · 2018
Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school — the end of her thus far disastrous eighth grade year — before she begins high school.
Movie details
Eighth Grade
“Based on the most awkward year of your life.”
2018 Comedy · Drama 1h 34m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.1 / 10
Community rating
Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school — the end of her thus far disastrous eighth grade year — before she begins high school.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Eighth Grade?
For the defence
The Prestige Tourist
“You like your greatness pre-approved.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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CQ
Comedy · 2001
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Names above the title
The people responsible.
Cast & crew
Directed by
Bo Burnham
Written by
Bo Burnham
Elsie Fisher
Kayla Day
Josh Hamilton
Mark Day
Emily Robinson
Olivia
Jake Ryan
Gabe
Daniel Zolghadri
Riley
Fred Hechinger
Trevor
Imani Lewis
Aniyah
Court is in session
Put Eighth Grade on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.