“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

Men, Women & Children
Drama · Comedy · 2014
Follows the story of a group of high school teenagers and their parents as they attempt to navigate the many ways the internet has changed their relationships, their communication, their self-image, and their love lives.
Men, Women & Children
“Discover how little you know about the people you know.”
Critical arithmetic
The consensus, allegedly.
Scores change. Arguments endure.
IMDb
6.6 / 10
34.6K votes
Rotten Tomatoes
33 %
Tomatometer
Metacritic
38 / 100
Metascore
TMDB
6.5 / 10
Community rating
External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.
Follows the story of a group of high school teenagers and their parents as they attempt to navigate the many ways the internet has changed their relationships, their communication, their self-image, and their love lives.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Men, Women & Children?
The Sentimental Softie
“You came to feel something, and you will.”
Read their caseThe Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Jason Reitman
Written by
Jason Reitman · Erin Cressida Wilson
Put Men, Women & Children on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.






