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In Safe Hands

In Safe Hands

Drama · 2018

Théo is given up for adoption by his biological mother on the very day he is born. After this anonymous birth, the mother has two months to change her mind… Or not. The child welfare services and adoption service spring into action… The former have to take care of the baby and support it during this limbo-like time, this period of uncertainty, while the latter must find a woman to become his adoptive mother. She is called Alice, and she has spent the last ten years fighting to have a child.

Movie details

In Safe Hands

2018 Drama 1h 52m

Critical arithmetic

One number, for now.

TMDB

7.4 / 10

Community rating

Théo is given up for adoption by his biological mother on the very day he is born. After this anonymous birth, the mother has two months to change her mind… Or not. The child welfare services and adoption service spring into action… The former have to take care of the baby and support it during this limbo-like time, this period of uncertainty, while the latter must find a woman to become his adoptive mother. She is called Alice, and she has spent the last ten years fighting to have a child.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over In Safe Hands?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jeanne Herry

Written by

Jeanne Herry

Sandrine Kiberlain

Sandrine Kiberlain

Karine

Gilles Lellouche

Gilles Lellouche

Jean

Élodie Bouchez

Élodie Bouchez

Alice

Olivia Côte

Olivia Côte

Lydie

Clotilde Mollet

Clotilde Mollet

Mathilde

Jean-François Stévenin

Jean-François Stévenin

Alice's Father

Bruno Podalydès

Bruno Podalydès

Karine's Ex-Husband

Court is in session

Put In Safe Hands on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.