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Young Mothers

Young Mothers

Drama · 2025

Housed in a shelter for young mothers, Jessica, Perla, Julia, Ariane, and Naïma, all of whom have grown up in difficult circumstances, struggle to obtain a better life for themselves and their children.

Movie details

Young Mothers

2025 Drama 1h 46m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Housed in a shelter for young mothers, Jessica, Perla, Julia, Ariane, and Naïma, all of whom have grown up in difficult circumstances, struggle to obtain a better life for themselves and their children.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Young Mothers?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Haute Couture

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Esther is at the end of her career as Head Seamstress at Dior Avenue Montaigne workshop. One day, she gets her handbag stolen in the metro by a 20 years old girl, Jade. Instead of calling the police she decides to take care of Jade. She sees in her the opportunity to pass on her skills, the craft of dressmaking, her only wealth. In the frenetic world of Haute Couture, Esther will give Jade la beauté du geste, a way to reach beyond herself.

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What Maisie Knew

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Names above the title

The people responsible.

Directed by

Luc Dardenne · Jean-Pierre Dardenne

Written by

Luc Dardenne · Jean-Pierre Dardenne

Babette Verbeek

Babette Verbeek

Jessica

Elsa Houben

Elsa Houben

Julie

Janaïna Halloy Fokan

Janaïna Halloy Fokan

Ariane

L

Lucie Laruelle

Perla

S

Samia Hilmi

Naïma

Jef Jacobs

Jef Jacobs

Dylan

Günter Duret

Günter Duret

Robin

Court is in session

Put Young Mothers on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.