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Unhook the Stars

Unhook the Stars

Drama · Romance · 1996

Widowed mother Mildred must suddenly redefine herself and find an outlet for her nurturing side when her adult daughter moves out of the family home. Though Mildred thinks she's found her purpose when her neighbor, overworked single mother Monica, asks her to look after her little boy, she has great difficulty learning to strike a healthy balance between giving selflessly to others and remembering to take care of herself.

Movie details

Unhook the Stars

“When prim & proper meets wild & crazy get ready to...”

1996 Drama · Romance 1h 43m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Widowed mother Mildred must suddenly redefine herself and find an outlet for her nurturing side when her adult daughter moves out of the family home. Though Mildred thinks she's found her purpose when her neighbor, overworked single mother Monica, asks her to look after her little boy, she has great difficulty learning to strike a healthy balance between giving selflessly to others and remembering to take care of herself.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Unhook the Stars?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Nick Cassavetes

Written by

Nick Cassavetes · Helen Caldwell

Gena Rowlands

Gena Rowlands

Mildred

Marisa Tomei

Marisa Tomei

Monica

Gérard Depardieu

Gérard Depardieu

Big Tommy

Jake Lloyd

Jake Lloyd

J.J.

Moira Kelly

Moira Kelly

Ann Mary Margaret

David Sherrill

David Sherrill

Ethan

David Thornton

David Thornton

Frankie

Court is in session

Put Unhook the Stars on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.