The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
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The Kindred
Horror · Science Fiction · 1987
Amanda's deathbed request to her son, John, was for him to destroy all the lab notes etc. from her last experiment. She also blurts out he had a brother. At the funeral John meets Melissa, who claims to be his mother's biggest fan. Together with some of John's friends they go to Amanda's house, but none are prepared for what they find there.
Movie details
The Kindred
“John's got a half brother... half human... half something else!”
1987 Horror · Science Fiction 1h 33m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.1 / 10
Community rating
Amanda's deathbed request to her son, John, was for him to destroy all the lab notes etc. from her last experiment. She also blurts out he had a brother. At the funeral John meets Melissa, who claims to be his mother's biggest fan. Together with some of John's friends they go to Amanda's house, but none are prepared for what they find there.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over The Kindred?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Prestige Tourist
“You like your greatness pre-approved.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Dagon
Fantasy · 2001
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Names above the title
The people responsible.
Cast & crew
Directed by
Stephen Carpenter · Jeffrey Obrow
Written by
Stephen Carpenter · Jeffrey Obrow · John Penney · Earl Ghaffari
David Allen Brooks
John Hollins
Rod Steiger
Dr. Phillip Lloyd
Amanda Pays
Melissa Leftridge
Talia Balsam
Sharon Raymond
Kim Hunter
Amanda Hollins
Timothy Gibbs
Hart Phillips
Peter Frechette
Brad Baxter
Court is in session
Put The Kindred on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Prestige Tourist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.