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Be Big!

Be Big!

Comedy · 1931

Stan and Ollie are on their way to Atlantic City with their wives, when Ollie gets a phone call from a lodge buddy telling him that a stag party is taking place that night in their honor. Ollie pretends to be sick and sends the wives on ahead, promising that he and Stan will meet them in the morning. The pair dress in their lodge gear, but their wives return having missed their train. With no obvious escape route, Stan and Ollie take to a bed in fear and in response to Stan's plea of "What'll I do?", Ollie replies "Be big!".

Movie details

Be Big!

1931 Comedy 28m

Critical arithmetic

One number, for now.

TMDB

6.9 / 10

Community rating

Stan and Ollie are on their way to Atlantic City with their wives, when Ollie gets a phone call from a lodge buddy telling him that a stag party is taking place that night in their honor. Ollie pretends to be sick and sends the wives on ahead, promising that he and Stan will meet them in the morning. The pair dress in their lodge gear, but their wives return having missed their train. With no obvious escape route, Stan and Ollie take to a bed in fear and in response to Stan's plea of "What'll I do?", Ollie replies "Be big!".

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Be Big!?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

One Good Turn

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Comedy · 1931

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The Fixer Uppers

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Comedy · 1935

Stan and Ollie are greeting card salesmen who agree to help a woman put a spark in her loveless marriage by making her husband jealous.

Much Ado About Nothing

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Comedy · 2013

A modern retelling of Shakespeare's classic comedy about two pairs of lovers with different takes on romance and a way with words.

Oliver the Eighth

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Comedy · 1934

Barbershop owners Stan and Ollie answer an ad in the newspaper from a wealthy widow looking for a husband. Ollie only mails in his response and is invited to the widow's mansion. Stan discovers his unmailed letter and insists on tagging along. At the mansion, the widow's creepy butler informs them that the woman is crazy. She was once jilted by an Oliver and now her hobby is marrying Olivers and then slitting their throats. Now the boys must figure out how to escape.

Cars Toon Mater's Tall Tales

Cars Toon Mater's Tall Tales

Family · 2008

Mater the tow truck travels from country to country as he retells his infamous but unbelievable stories.

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When the four Willoughby children are abandoned by their selfish parents, they must learn how to adapt their Old-Fashioned values to the contemporary world in order to create something new: The Modern Family.

How to Irritate People

How to Irritate People

Comedy · 1969

A pre-Monty Python mockumentary, written by and presented by John Cleese, that provides tips on learning how to irritate people.

The Rat Catcher

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In an English village, a reporter and a mechanic listen to a ratcatcher explain his clever plan to outwit his prey.

The Big Bad Wolf

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Arctic Dogs

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Names above the title

The people responsible.

Directed by

James W. Horne

Written by

H.M. Walker

Stan Laurel

Stan Laurel

Stan

Oliver Hardy

Oliver Hardy

Ollie

Anita Garvin

Anita Garvin

Mrs. Laurel (uncredited)

Charlie Hall

Charlie Hall

Bellboy (uncredited)

Isabelle Keith

Isabelle Keith

Mrs. Hardy (uncredited)

J

Jack Hill

Railway Station Passerby (uncredited)

Baldwin Cooke

Baldwin Cooke

Cookie (uncredited)

Court is in session

Put Be Big! on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.