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Oliver the Eighth

Oliver the Eighth

Comedy · 1934

Barbershop owners Stan and Ollie answer an ad in the newspaper from a wealthy widow looking for a husband. Ollie only mails in his response and is invited to the widow's mansion. Stan discovers his unmailed letter and insists on tagging along. At the mansion, the widow's creepy butler informs them that the woman is crazy. She was once jilted by an Oliver and now her hobby is marrying Olivers and then slitting their throats. Now the boys must figure out how to escape.

Movie details

Oliver the Eighth

1934 Comedy 27m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Barbershop owners Stan and Ollie answer an ad in the newspaper from a wealthy widow looking for a husband. Ollie only mails in his response and is invited to the widow's mansion. Stan discovers his unmailed letter and insists on tagging along. At the mansion, the widow's creepy butler informs them that the woman is crazy. She was once jilted by an Oliver and now her hobby is marrying Olivers and then slitting their throats. Now the boys must figure out how to escape.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Oliver the Eighth?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Be Big!

Be Big!

Comedy · 1931

Stan and Ollie are on their way to Atlantic City with their wives, when Ollie gets a phone call from a lodge buddy telling him that a stag party is taking place that night in their honor. Ollie pretends to be sick and sends the wives on ahead, promising that he and Stan will meet them in the morning. The pair dress in their lodge gear, but their wives return having missed their train. With no obvious escape route, Stan and Ollie take to a bed in fear and in response to Stan's plea of "What'll I do?", Ollie replies "Be big!".

One Good Turn

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When the four Willoughby children are abandoned by their selfish parents, they must learn how to adapt their Old-Fashioned values to the contemporary world in order to create something new: The Modern Family.

Thicker Than Water

Thicker Than Water

Comedy · 1935

Oliver's in trouble with his wife after missing a payment on their furniture, having given the money to Stanley, who used it instead to pay Mrs. Hardy for his room and board. At Stan's suggestion Ollie then withdraws the couple's savings from the bank to pay for the furniture and inadvertently pays virtually the whole amount at an auction for a grandfather clock which is soon crushed under a passing truck. Mrs Hardy then unintentionally causes serious injuries to Ollie requiring him to be rushed to hospital for a blood transfusion. The doctor conscripts Stan to be the unwilling blood donor. Problems occur with the transfusion and when Stan and Ollie leave the hospital they appear to have morphed into each other.

The Chaplin Revue

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Three Chaplin silent comedies "A Dog's Life", "Shoulder Arms", and "The Pilgrim" are strung together to form a single feature length film. Chaplin provides new music, narration, and a small amount of new connecting material. "Shoulder Arms" is now described as taking place in a time before "the atom bomb".

The Fixer Uppers

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A modern retelling of Shakespeare's classic comedy about two pairs of lovers with different takes on romance and a way with words.

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Names above the title

The people responsible.

Directed by

Lloyd French

Stan Laurel

Stan Laurel

Stan

Oliver Hardy

Oliver Hardy

Ollie

Mae Busch

Mae Busch

Widow

Jack Barty

Jack Barty

Jitters the butler

Court is in session

Put Oliver the Eighth on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.