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Living Among Us

Living Among Us

Thriller · Horror · Science Fiction · 2018

Vampires have just made themselves public! Now a group of documentarians have been granted access to spend some time with them and learn how they live and coexist with humans. But as reality sets in, the crew realize they are in for far more than they bargained for.

Movie details

Living Among Us

“They Always Were.”

2018 Thriller · Horror · Science Fiction 1h 27m

Critical arithmetic

The consensus, allegedly.

IMDb

5.3 / 10

3.1K votes

Rotten Tomatoes

14 %

Tomatometer

TMDB

6.2 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Vampires have just made themselves public! Now a group of documentarians have been granted access to spend some time with them and learn how they live and coexist with humans. But as reality sets in, the crew realize they are in for far more than they bargained for.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Living Among Us?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Asphyx

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Where it lives

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Names above the title

The people responsible.

Directed by

Brian A. Metcalf

Written by

Brian A. Metcalf

Thomas Ian Nicholas

Thomas Ian Nicholas

Mike

John Heard

John Heard

Andrew

Andrew Keegan

Andrew Keegan

Blake

Jordan Hinson

Jordan Hinson

Carrie

William Sadler

William Sadler

Samuel

Esmé Bianco

Esmé Bianco

Elleanor

Jessica Morris

Jessica Morris

Sybil

Court is in session

Put Living Among Us on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.