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Wendell & Wild

Wendell & Wild

Animation · Comedy · Fantasy · 2022

Two scheming demons strike a deal with a punk rock-loving teen so they can leave the Underworld and live out their dreams in the Land of the Living.

Movie details

Wendell & Wild

“It's time to face your demons.”

2022 Animation · Comedy · Fantasy 1h 45m

Critical arithmetic

The consensus, allegedly.

IMDb

6.4 / 10

14K votes

Rotten Tomatoes

80 %

Tomatometer

Metacritic

69 / 100

Metascore

TMDB

6.6 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Two scheming demons strike a deal with a punk rock-loving teen so they can leave the Underworld and live out their dreams in the Land of the Living.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Wendell & Wild?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Wonder Woman

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Action · 2009

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Where it lives

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Names above the title

The people responsible.

Directed by

Henry Selick

Written by

Jordan Peele · Henry Selick

Lyric Ross

Lyric Ross

Kat Elliot (voice)

Keegan-Michael Key

Keegan-Michael Key

Wendell (voice)

Jordan Peele

Jordan Peele

Wild (voice)

Sam Zelaya

Sam Zelaya

Raúl Cocolotl (voice)

James Hong

James Hong

Father Bests (voice)

Angela Bassett

Angela Bassett

Sister Helley (voice)

Gabrielle Dennis

Gabrielle Dennis

Wilma Elliot (voice)

Court is in session

Put Wendell & Wild on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.