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Lilies

Lilies

Drama · Romance · 1997

1952: Bishop Bilodeau visits a prison to hear the confession of Simon, a boyhood friend jailed for murder 40 years ago. However, once there, Bilodeau finds himself forced to watch a play put on by Simon and the other inmates depicting the two men's youths. As the play progresses, the tragic truth of Simon's crime comes to light.

Movie details

Lilies

“Great Passion and Tragic Betrayal”

1997 Drama · Romance 1h 36m

Critical arithmetic

One number, for now.

TMDB

8.1 / 10

Community rating

1952: Bishop Bilodeau visits a prison to hear the confession of Simon, a boyhood friend jailed for murder 40 years ago. However, once there, Bilodeau finds himself forced to watch a play put on by Simon and the other inmates depicting the two men's youths. As the play progresses, the tragic truth of Simon's crime comes to light.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Lilies?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

John Greyson

Written by

Michel Marc Bouchard

Brent Carver

Brent Carver

Countess De Tilly

Marcel Sabourin

Marcel Sabourin

The Bishop

Aubert Pallascio

Aubert Pallascio

Older Simon

Jason Cadieux

Jason Cadieux

Young Simon

Matthew Ferguson

Matthew Ferguson

Young Bilodeau

Danny Gilmore

Danny Gilmore

Vallier

Ian D. Clark

Ian D. Clark

Chaplain / Father Saint Michel

Court is in session

Put Lilies on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.