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The House by the Sea

The House by the Sea

Drama · 2017

By a little bay near Marseille lies a picturesque villa owned by an old man. His three children have gathered by his side for his last days. It’s time for them to weigh up what they have inherited of their father’s ideals and the community spirit he created in this magical place. The arrival, at a nearby cove, of a group of boat people will throw these moments of reflection into turmoil.

Movie details

The House by the Sea

2017 Drama 1h 47m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

By a little bay near Marseille lies a picturesque villa owned by an old man. His three children have gathered by his side for his last days. It’s time for them to weigh up what they have inherited of their father’s ideals and the community spirit he created in this magical place. The arrival, at a nearby cove, of a group of boat people will throw these moments of reflection into turmoil.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The House by the Sea?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Robert Guédiguian

Written by

Robert Guédiguian · Serge Valletti

Ariane Ascaride

Ariane Ascaride

Angèle Barberini

Jean-Pierre Darroussin

Jean-Pierre Darroussin

Joseph

Gérard Meylan

Gérard Meylan

Armand

Jacques Boudet

Jacques Boudet

Martin

Anaïs Demoustier

Anaïs Demoustier

Bérangère

Robinson Stévenin

Robinson Stévenin

Benjamin

Yann Trégouët

Yann Trégouët

Ivan

Court is in session

Put The House by the Sea on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.