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Manon of the Spring

Manon of the Spring

Drama · 1986

In this, the sequel to Jean de Florette, Manon has grown into a beautiful young shepherdess living in the idyllic Provencal countryside. She plots vengeance on the men who greedily conspired to acquire her father's land years earlier.

Movie details

Manon of the Spring

“They destroyed her father. Now they offered her love. But the only thing she desired was revenge.”

1986 Drama 1h 55m

Critical arithmetic

One number, for now.

TMDB

7.6 / 10

Community rating

In this, the sequel to Jean de Florette, Manon has grown into a beautiful young shepherdess living in the idyllic Provencal countryside. She plots vengeance on the men who greedily conspired to acquire her father's land years earlier.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Manon of the Spring?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Claude Berri

Written by

Claude Berri · Gérard Brach

Yves Montand

Yves Montand

César Soubeyran, aka "le Papet"

Daniel Auteuil

Daniel Auteuil

Ugolin Soubeyran, aka "Galinette"

Emmanuelle Béart

Emmanuelle Béart

Manon Cadoret

Hippolyte Girardot

Hippolyte Girardot

Bernard Olivier, teacher

Margarita Lozano

Margarita Lozano

Baptistine

Yvonne Gamy

Yvonne Gamy

Delphine

Ticky Holgado

Ticky Holgado

Rural engineering specialist

Court is in session

Put Manon of the Spring on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.