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Night of the Kings

Night of the Kings

Drama · 2021

A young man is sent to "La Maca," a prison in the middle of the Ivorian forest ruled by its inmates. As tradition goes with the rising of the red moon, he is designated by the Boss to be the new "Roman" and must tell a story to the other prisoners. Learning what fate awaits him, he begins to narrate the mystical life of the legendary outlaw named "Zama King" and has no choice but to make his story last until dawn.

Movie details

Night of the Kings

“A film about resistance and the power of words in the face of violence.”

2021 Drama 1h 33m

Critical arithmetic

One number, for now.

TMDB

6.6 / 10

Community rating

A young man is sent to "La Maca," a prison in the middle of the Ivorian forest ruled by its inmates. As tradition goes with the rising of the red moon, he is designated by the Boss to be the new "Roman" and must tell a story to the other prisoners. Learning what fate awaits him, he begins to narrate the mystical life of the legendary outlaw named "Zama King" and has no choice but to make his story last until dawn.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Night of the Kings?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Philippe Lacôte

Written by

Philippe Lacôte

K

Koné Bakary

Roman

Steve Tientcheu

Steve Tientcheu

Barbe Noire (Blackbeard)

D

Digbeu Jean Cyrille

Demi-Fou (Half-Mad)

Rasmané Ouédraogo

Rasmané Ouédraogo

Soni

Issaka Sawadogo

Issaka Sawadogo

Nivaquine

Denis Lavant

Denis Lavant

Silence

A

Abdoul Karim Konaté

Lass

Court is in session

Put Night of the Kings on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.