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The Company Men

The Company Men

Drama · 2010

Bobby Walker lives the proverbial American dream: great job, beautiful family, shiny Porsche in the garage. When corporate downsizing leaves him and two co-workers jobless, the three men are forced to re-define their lives as men, husbands and fathers.

Movie details

The Company Men

“In America, we give our lives to our jobs. It's time to take them back.”

2010 Drama 1h 44m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Bobby Walker lives the proverbial American dream: great job, beautiful family, shiny Porsche in the garage. When corporate downsizing leaves him and two co-workers jobless, the three men are forced to re-define their lives as men, husbands and fathers.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Company Men?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

John Wells

Written by

John Wells

Ben Affleck

Ben Affleck

Bobby Walker

Tommy Lee Jones

Tommy Lee Jones

Gene McClary

Chris Cooper

Chris Cooper

Phil Woodward

Kevin Costner

Kevin Costner

Jack Dolan

Maria Bello

Maria Bello

Sally Wilcox

Rosemarie DeWitt

Rosemarie DeWitt

Maggie Walker

Craig T. Nelson

Craig T. Nelson

Salinger

Court is in session

Put The Company Men on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.