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A Family Man

A Family Man

Drama · 2016

Dane Jensen is a driven, Chicago-based headhunter, working at a cut-throat job placement firm. When his boss pits Dane against Lynn Vogel, Dane's equally driven but polar-opposite rival at the firm, in a battle for control over the company. When his young son is then given a harrowing diagnosis, Dane is suddenly pulled between achieving his professional dream and spending time with the family that needs him now more than ever.

Movie details

A Family Man

“What are you working for?”

2016 Drama 1h 48m

Critical arithmetic

One number, for now.

TMDB

6.7 / 10

Community rating

Dane Jensen is a driven, Chicago-based headhunter, working at a cut-throat job placement firm. When his boss pits Dane against Lynn Vogel, Dane's equally driven but polar-opposite rival at the firm, in a battle for control over the company. When his young son is then given a harrowing diagnosis, Dane is suddenly pulled between achieving his professional dream and spending time with the family that needs him now more than ever.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over A Family Man?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Mark Williams

Written by

Bill Dubuque

Gerard Butler

Gerard Butler

Dane Jensen

Gretchen Mol

Gretchen Mol

Elise Jensen

Maxwell Jenkins

Maxwell Jenkins

Ryan Jensen

Alison Brie

Alison Brie

Lynn Vogel

Anupam Kher

Anupam Kher

Dr. Savraj Singh

Willem Dafoe

Willem Dafoe

Ed Blackridge

Alfred Molina

Alfred Molina

Lou Wheeler

Court is in session

Put A Family Man on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.