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Monsters

Monsters

Drama · Thriller · Science Fiction · 2010

Six years ago NASA discovered the possibility of alien life within our solar system. A probe was launched to collect samples, but crashed upon re-entry over Central America. Soon after, new life forms began to appear and half of Mexico was quarantined as an infected zone. Today, the American and Mexican military still struggle to contain "the creatures," while a journalist agrees to escort a shaken tourist through the infected zone in Mexico to the safety of the U.S. border.

Movie details

Monsters

“After six years, they're no longer aliens. They're residents.”

2010 Drama · Thriller · Science Fiction 1h 34m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Six years ago NASA discovered the possibility of alien life within our solar system. A probe was launched to collect samples, but crashed upon re-entry over Central America. Soon after, new life forms began to appear and half of Mexico was quarantined as an infected zone. Today, the American and Mexican military still struggle to contain "the creatures," while a journalist agrees to escort a shaken tourist through the infected zone in Mexico to the safety of the U.S. border.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Monsters?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Gareth Edwards

Written by

Gareth Edwards

Scoot McNairy

Scoot McNairy

Andrew Kaulder

Whitney Able

Whitney Able

Samantha Wynden

M

Mario Zuniga Benavides

Ticket Seller

Annalee Jefferies

Annalee Jefferies

Homeless Woman

Justin Hall

Justin Hall

Marine

Ricky Catter

Ricky Catter

Marine

Paul Archer

Paul Archer

Marine

Court is in session

Put Monsters on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.