“Form is the argument.”
Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

Contact
Drama · Science Fiction · Mystery · 1997
A radio astronomer receives the first extraterrestrial radio signal ever picked up on Earth. As the world powers scramble to decipher the message and decide upon a course of action, she must make some difficult decisions between her beliefs, the truth, and reality.
Contact
“Take a journey to the heart of the universe.”
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
7.4 / 10
Community rating
A radio astronomer receives the first extraterrestrial radio signal ever picked up on Earth. As the world powers scramble to decipher the message and decide upon a course of action, she must make some difficult decisions between her beliefs, the truth, and reality.
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Contact?
The Auteur Devotee
“You watch the director, not the movie.”
Read their caseThe Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
Watch in your region.
Cinema release signals and current streaming, rental, and purchase options for your region.
Streaming availability data supplied by JustWatch.
The people responsible.
Cast & crew
Directed by
Robert Zemeckis
Written by
James V. Hart · Michael Goldenberg
Put Contact on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
“Technique in search of a pulse.”
Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.






