The defence The Auteur Devotee
“Form is the argument.”
Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.
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Last and First Men
Drama · Science Fiction · 2020
As the end approaches inexorably, the last humans, living millions of years into the future, send a message to the humanity of the present that is both a plea for help and a warning, but also an epic tale of evolution, decline and hope.
Movie details
Last and First Men
2020 Drama · Science Fiction 1h 12m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.3 / 10
Community rating
As the end approaches inexorably, the last humans, living millions of years into the future, send a message to the humanity of the present that is both a plea for help and a warning, but also an epic tale of evolution, decline and hope.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Last and First Men?
For the defence
The Auteur Devotee
“You watch the director, not the movie.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
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Names above the title
The people responsible.
Cast & crew
Directed by
Jóhann Jóhannsson
Written by
Jóhann Jóhannsson · José Enrique Macián
Tilda Swinton
Narrator (voice)
Court is in session
Put Last and First Men on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Technique in search of a pulse.”
Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.