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Frequency

Frequency

Science Fiction · Crime · Thriller · 2000

When a rare phenomenon gives police officer John Sullivan the chance to speak to his father, 30 years in the past, he takes the opportunity to prevent his dad's tragic death. After his actions inadvertently give rise to a series of brutal murders he and his father must find a way to fix the consequences of altering time.

Movie details

Frequency

“The future is listening.”

2000 Science Fiction · Crime · Thriller 1h 58m

Critical arithmetic

One number, for now.

TMDB

7.3 / 10

Community rating

When a rare phenomenon gives police officer John Sullivan the chance to speak to his father, 30 years in the past, he takes the opportunity to prevent his dad's tragic death. After his actions inadvertently give rise to a series of brutal murders he and his father must find a way to fix the consequences of altering time.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Frequency?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Telly Paretta is a grieving mother struggling to cope with the loss of her 9-year-old son. She is stunned when her psychiatrist reveals that she has created nine years of memories about a son she never had. But when she remembers a man who had a similar experience, Telly embarks on a search to prove her son's existence, and her sanity.

Where it lives

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Names above the title

The people responsible.

Directed by

Gregory Hoblit

Written by

Toby Emmerich

Dennis Quaid

Dennis Quaid

Frank Sullivan

Jim Caviezel

Jim Caviezel

John Sullivan

Shawn Doyle

Shawn Doyle

Jack Shepard

Elizabeth Mitchell

Elizabeth Mitchell

Julia Sullivan

Andre Braugher

Andre Braugher

Satch DeLeon

Noah Emmerich

Noah Emmerich

Gordo Hersch

Melissa Errico

Melissa Errico

Samantha Thomas

Court is in session

Put Frequency on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Big-Idea Head

“Form is the argument.”

Every composed frame and deliberate cut is evidence that control can be thrilling in its own right.

The prosecution The Popcorn Loyalist

“Technique in search of a pulse.”

Immaculate construction is still construction. The film may be too busy proving its craft to feel alive.