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Stockholm

Stockholm

Crime · Comedy · 2019

Based on the extraordinary true story of the European city’s 1973 bank heist and hostage crisis that was documented in the 1974 New Yorker article “The Bank Drama” by Daniel Lang. The events grasped the world’s attention when the hostages bonded with their captors and turned against the authorities, giving rise to the psychological phenomenon known as “Stockholm Syndrome.”

Movie details

Stockholm

“Based on an absurd but true story”

2019 Crime · Comedy 1h 32m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Based on the extraordinary true story of the European city’s 1973 bank heist and hostage crisis that was documented in the 1974 New Yorker article “The Bank Drama” by Daniel Lang. The events grasped the world’s attention when the hostages bonded with their captors and turned against the authorities, giving rise to the psychological phenomenon known as “Stockholm Syndrome.”

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Stockholm?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Robert Budreau

Written by

Robert Budreau

Ethan Hawke

Ethan Hawke

Lars Nystrom

Noomi Rapace

Noomi Rapace

Bianca Lind

Mark Strong

Mark Strong

Gunnar Sorensson

Christopher Heyerdahl

Christopher Heyerdahl

Chief Mattsson

Bea Santos

Bea Santos

Klara Mardh

Mark Rendall

Mark Rendall

Elov Eriksson

Ian Matthews

Ian Matthews

Detective Halsten Vinter

Court is in session

Put Stockholm on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“It owes the canon nothing.”

The movie pursues immediacy and audience pleasure without begging institutions to certify its worth.

The prosecution The Prestige Tourist

“Easy pleasure, short half-life.”

It moves efficiently through the moment but offers little reason to keep arguing once the credits end.