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Pride & Prejudice

Pride & Prejudice

Drama · Romance · 2005

A story of love and life among the landed English gentry during the Georgian era. Mr. Bennet is a gentleman living in Hertfordshire with his overbearing wife and five daughters, but if he dies their house will be inherited by a distant cousin whom they have never met, so the family's future happiness and security is dependent on the daughters making good marriages.

Movie details

Pride & Prejudice

“Sometimes the last person on earth you want to be with is the one person you can't be without.”

2005 Drama · Romance 2h 8m

Critical arithmetic

One number, for now.

TMDB

8.1 / 10

Community rating

A story of love and life among the landed English gentry during the Georgian era. Mr. Bennet is a gentleman living in Hertfordshire with his overbearing wife and five daughters, but if he dies their house will be inherited by a distant cousin whom they have never met, so the family's future happiness and security is dependent on the daughters making good marriages.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Pride & Prejudice?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Joe Wright

Written by

Deborah Moggach

Keira Knightley

Keira Knightley

Elizabeth Bennet

Matthew Macfadyen

Matthew Macfadyen

Mr. Darcy

Brenda Blethyn

Brenda Blethyn

Mrs. Bennet

Rosamund Pike

Rosamund Pike

Jane Bennet

Carey Mulligan

Carey Mulligan

Kitty Bennet

Jena Malone

Jena Malone

Lydia Bennet

Talulah Riley

Talulah Riley

Mary Bennet

Court is in session

Put Pride & Prejudice on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Popcorn Loyalist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.