The defence The Sentimental Softie
“Sincerity is not manipulation.”
The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.
Back to trending 
Young at Heart
Romance · Drama · Music · 1954
The lives and romances of three sisters in a musical family; the youngest daughter's life is complicated by the subsequent arrival of a charming composer and a cynical music arranger.
Movie details
Young at Heart
1954 Romance · Drama · Music 1h 57m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.0 / 10
Community rating
The lives and romances of three sisters in a musical family; the youngest daughter's life is complicated by the subsequent arrival of a charming composer and a cynical music arranger.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Young at Heart?
For the defence
The Sentimental Softie
“You came to feel something, and you will.”
Read their case For the prosecution
The Cool Ironist
“Feeling things is a little embarrassing.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
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Fifty Shades Freed
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Believing they have left behind shadowy figures from their past, newlyweds Christian and Ana fully embrace an inextricable connection and shared life of luxury. But just as she steps into her role as Mrs. Grey and he relaxes into an unfamiliar stability, new threats could jeopardize their happy ending before it even begins.
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Names above the title
The people responsible.
Cast & crew
Directed by
Gordon Douglas
Written by
Julius J. Epstein · Lenore J. Coffee · Liam O'Brien
Doris Day
Laurie Tuttle
Frank Sinatra
Barney Sloan
Gig Young
Alex Burke
Ethel Barrymore
Aunt Jessie Tuttle
Dorothy Malone
Fran Tuttle
Robert Keith
Gregory Tuttle
Elisabeth Fraser
Amy Tuttle
Court is in session
Put Young at Heart on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Cool Ironist
“The strings are showing.”
Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.