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Inventing the Abbotts

Inventing the Abbotts

Drama · Romance · 1997

In the 1950s, brothers Jacey and Doug Holt, who come from the poorer side of their sleepy Midwestern town, vie for the affections of the wealthy, lovely Abbott sisters. Lady-killer Jacey alternates between Eleanor and Alice, wanting simply to break the hearts of rich young women. But sensitive Doug has a real romance with Pamela, which Jacey and the Abbott patriarch, Lloyd, both frown upon.

Movie details

Inventing the Abbotts

“When you want it all but can't have it, there's only one way to handle life... invent it.”

1997 Drama · Romance 1h 50m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

In the 1950s, brothers Jacey and Doug Holt, who come from the poorer side of their sleepy Midwestern town, vie for the affections of the wealthy, lovely Abbott sisters. Lady-killer Jacey alternates between Eleanor and Alice, wanting simply to break the hearts of rich young women. But sensitive Doug has a real romance with Pamela, which Jacey and the Abbott patriarch, Lloyd, both frown upon.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Inventing the Abbotts?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Pat O'Connor

Written by

Ken Hixon

Joaquin Phoenix

Joaquin Phoenix

Doug Holt

Liv Tyler

Liv Tyler

Pamela Abbott

Jennifer Connelly

Jennifer Connelly

Eleanor Abbott

Billy Crudup

Billy Crudup

Jacey Holt

Joanna Going

Joanna Going

Alice Abbott

Kathy Baker

Kathy Baker

Helen Holt

Will Patton

Will Patton

Lloyd Abbott

Court is in session

Put Inventing the Abbotts on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.