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The Thing Called Love

The Thing Called Love

Drama · Romance · Music · 1993

A group of newcomers to the country music business seek love and stardom.

Movie details

The Thing Called Love

“Stand by your dream.”

1993 Drama · Romance · Music 1h 56m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

A group of newcomers to the country music business seek love and stardom.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Thing Called Love?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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A Star Is Born

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Has-been singing idol John Norman Howard falls in love with young, up-and-coming songstress Esther Hoffman in Frank Pierson's version of the classic love story updated to the rock and roll era.

Newness

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In contemporary Los Angeles, two millennials navigating a social media–driven hookup culture begin a relationship that pushes both emotional and physical boundaries.

Love Me Love Me

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Sweet Dreams

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Carmen: A Hip Hopera

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Crazy Heart

Crazy Heart

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Jailhouse Rock

Jailhouse Rock

Music · 1957

Young convict Vince Everett, serving time for manslaughter, discovers his musical talent in prison and becomes a rock and roll star after his release, navigating fame and relationships.

Where it lives

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Names above the title

The people responsible.

Directed by

Peter Bogdanovich

Written by

Carol Heikkinen

River Phoenix

River Phoenix

James Wright

Samantha Mathis

Samantha Mathis

Miranda Presley

Dermot Mulroney

Dermot Mulroney

Kyle Davidson

Sandra Bullock

Sandra Bullock

Linda Lue Linden

Anthony Clark

Anthony Clark

Billy

Deborah Allen

Deborah Allen

Deborah Allen

K

K.T. Oslin

Lucy

Court is in session

Put The Thing Called Love on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.