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To Write Love on Her Arms

To Write Love on Her Arms

Drama · Music · 2015

The story follows 19-year-old Renee who has always loved fairy tales: the idea of a princess, a hero and a happily ever after. But Renee’s life is that of a darker tale: she’s a young woman battling addiction, depression and self-injury. In a creative blend of artistic fantasy balanced with harsh reality, the movie follows Renee on her courageous journey towards recovery.

Movie details

To Write Love on Her Arms

“Based on the True Story that started a Global Movement.”

2015 Drama · Music 1h 58m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

The story follows 19-year-old Renee who has always loved fairy tales: the idea of a princess, a hero and a happily ever after. But Renee’s life is that of a darker tale: she’s a young woman battling addiction, depression and self-injury. In a creative blend of artistic fantasy balanced with harsh reality, the movie follows Renee on her courageous journey towards recovery.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over To Write Love on Her Arms?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Nathan Frankowski

Written by

Kate King Lynch · Nathan Frankowski

Kat Dennings

Kat Dennings

Renee Yohe

Chad Michael Murray

Chad Michael Murray

Jamie Tworkowski

Rupert Friend

Rupert Friend

David McKenna

Corbin Bleu

Corbin Bleu

Mackey

Mark Saul

Mark Saul

Dylan

Juliana Harkavy

Juliana Harkavy

Jessie

S

Samantha Castro

Young Jessie

Court is in session

Put To Write Love on Her Arms on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.