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Gargoyles

Gargoyles

Fantasy · Horror · TV Movie · 1972

After receiving word about a mysterious carcass/skeleton unearthed in the Arizona desert, a father and his daughter decide to remove it from the burial grounds for further study. Once they do so, they, as well as the town, are besieged by a colony of gargoyles living in some nearby caverns.

Movie details

Gargoyles

“Watch Out! The Gargoyles Are Here”

1972 Fantasy · Horror · TV Movie 1h 14m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

After receiving word about a mysterious carcass/skeleton unearthed in the Arizona desert, a father and his daughter decide to remove it from the burial grounds for further study. Once they do so, they, as well as the town, are besieged by a colony of gargoyles living in some nearby caverns.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Gargoyles?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Adventures of Ichabod and Mr. Toad

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The Night Stalker

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Names above the title

The people responsible.

Directed by

Bill L. Norton

Written by

Elinor Karpf · Steven Karpf

Cornel Wilde

Cornel Wilde

Dr. Mercer Boley

Jennifer Salt

Jennifer Salt

Diana Boley

Grayson Hall

Grayson Hall

Mrs. Parks

Bernie Casey

Bernie Casey

The Gargoyle

Scott Glenn

Scott Glenn

James Reeger

W

William Stevens

Police Chief

J

John Gruber

Jesse

Court is in session

Put Gargoyles on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.