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The Mummy

The Mummy

Horror · Fantasy · 1932

An ancient Egyptian priest named Imhotep is revived when a British archaeological expedition finds his mummy and one of the researchers accidentally reads an ancient life-giving spell. Imhotep escapes from the field site and searches for the reincarnation of the soul of his lover.

Movie details

The Mummy

“It comes to life!”

1932 Horror · Fantasy 1h 13m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

An ancient Egyptian priest named Imhotep is revived when a British archaeological expedition finds his mummy and one of the researchers accidentally reads an ancient life-giving spell. Imhotep escapes from the field site and searches for the reincarnation of the soul of his lover.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Mummy?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Tales from the Crypt

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Horror · 1972

When a tourist group become lost within ancient catacombs, they meet the sinister Crypt Keeper, who tells them each their fate. The enigmatic figure's macabre stories involve a wife dabbling in murder, a retired sanitation worker targeted by his suspicious neighbors, and an adulterer who may face a fitting demise if the yarns come true.

House on Haunted Hill

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Dracula

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Something Wicked This Way Comes

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Names above the title

The people responsible.

Directed by

Karl Freund

Written by

John L. Balderston · Nina Wilcox Putnam · Richard Schayer

Boris Karloff

Boris Karloff

Imhotep / Ardath Bey

Zita Johann

Zita Johann

Helen Grosvenor / Princess Anck-es-en-Amon

David Manners

David Manners

Frank Whemple

Arthur Byron

Arthur Byron

Sir Joseph Whemple

Edward Van Sloan

Edward Van Sloan

Dr. Muller

Bramwell Fletcher

Bramwell Fletcher

Ralph Norton

Noble Johnson

Noble Johnson

The Nubian Servant

Court is in session

Put The Mummy on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.