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Tales from the Crypt

Tales from the Crypt

Horror · 1972

When a tourist group become lost within ancient catacombs, they meet the sinister Crypt Keeper, who tells them each their fate. The enigmatic figure's macabre stories involve a wife dabbling in murder, a retired sanitation worker targeted by his suspicious neighbors, and an adulterer who may face a fitting demise if the yarns come true.

Movie details

Tales from the Crypt

“DEATH LIVES in the Vault of Horror!”

1972 Horror 1h 33m

Critical arithmetic

One number, for now.

TMDB

6.8 / 10

Community rating

When a tourist group become lost within ancient catacombs, they meet the sinister Crypt Keeper, who tells them each their fate. The enigmatic figure's macabre stories involve a wife dabbling in murder, a retired sanitation worker targeted by his suspicious neighbors, and an adulterer who may face a fitting demise if the yarns come true.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Tales from the Crypt?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Where it lives

Watch in your region.

Cinema release signals and current streaming, rental, and purchase options for your region.

Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Freddie Francis

Written by

Milton Subotsky

Joan Collins

Joan Collins

Joanne Clayton

Peter Cushing

Peter Cushing

Arthur Edward Grimsdyke

Roy Dotrice

Roy Dotrice

Charles Gregory

Richard Greene

Richard Greene

Ralph Jason

Ian Hendry

Ian Hendry

Carl Maitland

Patrick Magee

Patrick Magee

George Carter

Barbara Murray

Barbara Murray

Enid Jason

Court is in session

Put Tales from the Crypt on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.