The defence The Arthouse Gremlin
“Its refusal to behave is the point.”
The strange choices create the kind of friction that follows you out of the theatre and into the argument.
Back to trending 
Pet Sematary
Horror · 1989
After the Creed family's cat is accidentally killed, a friendly neighbor advises its burial in a mysterious nearby cemetery.
Movie details
Pet Sematary
“Sometimes dead is better.”
1989 Horror 1h 43m
Critical arithmetic
One number, for now.
Scores change. Arguments endure.
TMDB
6.7 / 10
Community rating
After the Creed family's cat is accidentally killed, a friendly neighbor advises its burial in a mysterious nearby cemetery.
CriticWise case file
What this film says about your taste.
Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.
The archetype split
Who fights over Pet Sematary?
For the defence
The Arthouse Gremlin
“The stranger, the better.”
Read their case For the prosecution
The Popcorn Loyalist
“Big screen, big feelings, no apologies.”
Read their objectionThe split comes from the same five-axis model used by the test, not audience ratings or review sentiment.
Taste neighbourhood
Nearby on the taste map.
TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.
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Pumpkinhead
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The Autopsy of Jane Doe
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Father and son coroners receive a mysterious unidentified corpse with no apparent cause of death. As they attempt to examine the "Jane Doe," they discover increasingly bizarre clues that hold the key to her terrifying secrets.
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Names above the title
The people responsible.
Cast & crew
Directed by
Mary Lambert
Written by
Stephen King
Dale Midkiff
Louis Creed
Fred Gwynne
Jud Crandall
Denise Crosby
Rachel Creed
Brad Greenquist
Victor Pascow
Michael Lombard
Irwin Goldman
Miko Hughes
Gage Creed
Blaze Berdahl
Ellie Creed
Court is in session
Put Pet Sematary on trial.
Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.
The prosecution The Popcorn Loyalist
“Oddness is not depth.”
A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.