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Garden State

Garden State

Comedy · Drama · Romance · 2004

Andrew returns to his hometown for his mother’s funeral, a journey that reconnects him with old friends. The trip coincides with his decision to stop taking his powerful antidepressants. A chance meeting with Sam—a girl also struggling with various maladies—opens up the possibility of rekindling emotional connections, confronting his psychologist father, and perhaps beginning a new life.

Movie details

Garden State

2004 Comedy · Drama · Romance 1h 42m

Critical arithmetic

One number, for now.

TMDB

7.1 / 10

Community rating

Andrew returns to his hometown for his mother’s funeral, a journey that reconnects him with old friends. The trip coincides with his decision to stop taking his powerful antidepressants. A chance meeting with Sam—a girl also struggling with various maladies—opens up the possibility of rekindling emotional connections, confronting his psychologist father, and perhaps beginning a new life.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Garden State?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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An emotionally desperate investment banker finds hope through a woman he meets.

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Asylum

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Names above the title

The people responsible.

Directed by

Zach Braff

Written by

Zach Braff

Zach Braff

Zach Braff

Andrew Largeman

Natalie Portman

Natalie Portman

Sam

Ian Holm

Ian Holm

Gideon Largeman

Peter Sarsgaard

Peter Sarsgaard

Mark

Jean Smart

Jean Smart

Carol

Armando Riesco

Armando Riesco

Jesse

Jackie Hoffman

Jackie Hoffman

Aunt Sylvia Largeman

Court is in session

Put Garden State on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.