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Wristcutters: A Love Story

Wristcutters: A Love Story

Comedy · Drama · Fantasy · 2007

Zia, distraught over breaking up with his girlfriend, decides to end it all. Unfortunately, he discovers that there is no real ending, only a run-down afterlife that is strikingly similar to his old one, just a bit worse. Discovering that his ex-girlfriend has also "offed" herself, he sets out on a road trip to find her.

Movie details

Wristcutters: A Love Story

“Life is a trip, but the afterlife is one hell of a ride.”

2007 Comedy · Drama · Fantasy 1h 28m

Critical arithmetic

One number, for now.

TMDB

7.0 / 10

Community rating

Zia, distraught over breaking up with his girlfriend, decides to end it all. Unfortunately, he discovers that there is no real ending, only a run-down afterlife that is strikingly similar to his old one, just a bit worse. Discovering that his ex-girlfriend has also "offed" herself, he sets out on a road trip to find her.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Wristcutters: A Love Story?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Goran Dukić

Written by

Goran Dukić

Patrick Fugit

Patrick Fugit

Zia

Shannyn Sossamon

Shannyn Sossamon

Mikal

Shea Whigham

Shea Whigham

Eugene

Leslie Bibb

Leslie Bibb

Desiree

Mikal P. Lazarev

Mikal P. Lazarev

Nanuk

Mark Boone Junior

Mark Boone Junior

Mike

Abraham Benrubi

Abraham Benrubi

Erik

Court is in session

Put Wristcutters: A Love Story on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.