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House of the Long Shadows

House of the Long Shadows

Horror · Comedy · Mystery · 1983

An American writer goes to a remote Welsh manor on a $20,000 bet that he can write a classic novel like 'Wuthering Heights' in 24 hours. However, upon his arrival he discovers that the apparently empty manor has several rather odd inhabitants.

Movie details

House of the Long Shadows

“Room for every nightmare… A nightmare in every room.”

1983 Horror · Comedy · Mystery 1h 40m

Critical arithmetic

The consensus, allegedly.

IMDb

6.2 / 10

5.2K votes

TMDB

6.4 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

An American writer goes to a remote Welsh manor on a $20,000 bet that he can write a classic novel like 'Wuthering Heights' in 24 hours. However, upon his arrival he discovers that the apparently empty manor has several rather odd inhabitants.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over House of the Long Shadows?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Pete Walker

Written by

Michael Armstrong

Vincent Price

Vincent Price

Lionel Grisbane

Christopher Lee

Christopher Lee

Corrigan

Peter Cushing

Peter Cushing

Sebastian Grisbane

Desi Arnaz Jr.

Desi Arnaz Jr.

Kenneth Magee

John Carradine

John Carradine

Elijah Grisbane

Sheila Keith

Sheila Keith

Victoria Grisbane

Julie Peasgood

Julie Peasgood

Mary Norton

Court is in session

Put House of the Long Shadows on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.