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Scary Stories to Tell in the Dark

Scary Stories to Tell in the Dark

Horror · Mystery · 2019

Mill Valley, Pennsylvania, Halloween night, 1968. After playing a joke on a school bully, Stella and her friends decide to sneak into a supposedly haunted house that once belonged to the powerful Bellows family, unleashing dark forces that they will be unable to control.

Movie details

Scary Stories to Tell in the Dark

“They're not just stories anymore.”

2019 Horror · Mystery 1h 48m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Mill Valley, Pennsylvania, Halloween night, 1968. After playing a joke on a school bully, Stella and her friends decide to sneak into a supposedly haunted house that once belonged to the powerful Bellows family, unleashing dark forces that they will be unable to control.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Scary Stories to Tell in the Dark?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

André Øvredal

Written by

Kevin Hageman · Dan Hageman

Zoe Colletti

Zoe Colletti

Stella Nicholls

Dean Norris

Dean Norris

Roy Nicholls

Michael Garza

Michael Garza

Ramón Morales

Gabriel Rush

Gabriel Rush

Auggie Hilderbrandt

Gil Bellows

Gil Bellows

Chief Turner

Natalie Ganzhorn

Natalie Ganzhorn

Ruth Steinberg

Austin Abrams

Austin Abrams

Tommy Milner

Court is in session

Put Scary Stories to Tell in the Dark on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.