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Nathalie...

Nathalie...

Drama · 2004

Paris doctor Catherine starts to think her husband, Bernard, is having an affair when she hears an unfamiliar woman's message on his voice mail. Hoping to learn more about his extramarital activities, Catherine heads to a strip club, where she hires call girl Nathalie to have a fling with Gerard. As the affair progresses, Nathalie gives Catherine regular status reports, and the relationship between the women evolves from business to personal.

Movie details

Nathalie...

“Can you ever control another person's sexuality?”

2004 Drama 1h 45m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

Paris doctor Catherine starts to think her husband, Bernard, is having an affair when she hears an unfamiliar woman's message on his voice mail. Hoping to learn more about his extramarital activities, Catherine heads to a strip club, where she hires call girl Nathalie to have a fling with Gerard. As the affair progresses, Nathalie gives Catherine regular status reports, and the relationship between the women evolves from business to personal.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Nathalie...?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Anne Fontaine

Written by

François-Olivier Rousseau · Jacques Fieschi · Anne Fontaine

Fanny Ardant

Fanny Ardant

Catherine

Emmanuelle Béart

Emmanuelle Béart

Nathalie / Marlène

Gérard Depardieu

Gérard Depardieu

Bernard

Wladimir Yordanoff

Wladimir Yordanoff

François

Judith Magre

Judith Magre

Catherine's Mother

Rodolphe Pauly

Rodolphe Pauly

The son

Évelyne Dandry

Évelyne Dandry

The boss of the bar

Court is in session

Put Nathalie... on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.