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House of Pleasures

House of Pleasures

Drama · 2011

The dawn of the 20th century: L’Apollonide, a luxurious and traditional brothel in Paris, is living its last days. In this closed world, where some men fall in love and others become viciously harmful, the women share their secrets, their fears, their joys and their pains.

Movie details

House of Pleasures

2011 Drama 2h 6m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

The dawn of the 20th century: L’Apollonide, a luxurious and traditional brothel in Paris, is living its last days. In this closed world, where some men fall in love and others become viciously harmful, the women share their secrets, their fears, their joys and their pains.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over House of Pleasures?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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The Margin

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A businessman leaves his country home, and wife and young son for a business trip to Paris. While there he develops a sexual and spiritual bond with a call girl.

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Saint Jack

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Jack Flowers is an American hustler trying to make his fortune in 1970s Singapore in small time pimping. His dreams of building a fortune by running a brothel himself and returning to the States is materialized when he is offered the opportunity by the CIA to run a brothel for the R&R activities of U.S. soldiers on leave in Singapore.

Quills

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Drama · 2000

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Names above the title

The people responsible.

Directed by

Bertrand Bonello

Written by

Bertrand Bonello

Noémie Lvovsky

Noémie Lvovsky

Marie-France

Hafsia Herzi

Hafsia Herzi

Samira

Céline Sallette

Céline Sallette

Clotilde

Jasmine Trinca

Jasmine Trinca

Julie

Adèle Haenel

Adèle Haenel

Léa

Alice Barnole

Alice Barnole

Madeleine

Iliana Zabeth

Iliana Zabeth

Pauline

Court is in session

Put House of Pleasures on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.