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Party Girl

Party Girl

Drama · 2014

Angélique is a 60-year-old bar hostess. She still likes to party, she still likes men. At night, she makes them drink, in a cabaret by the French-German border. As time goes by, clients become rare. But Michel, her regular client, is still in love with her. One day, he asks Angélique to marry him.

Movie details

Party Girl

2014 Drama 1h 35m

Critical arithmetic

The consensus, allegedly.

IMDb

6.4 / 10

1.5K votes

Rotten Tomatoes

75 %

Tomatometer

Metacritic

69 / 100

Metascore

TMDB

6.7 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Angélique is a 60-year-old bar hostess. She still likes to party, she still likes men. At night, she makes them drink, in a cabaret by the French-German border. As time goes by, clients become rare. But Michel, her regular client, is still in love with her. One day, he asks Angélique to marry him.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Party Girl?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Nathalie...

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Drama · 2004

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Where it lives

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Names above the title

The people responsible.

Directed by

Marie Amachoukeli · Claire Burger · Samuel Theis

Written by

Marie Amachoukeli · Claire Burger · Samuel Theis

Angélique Litzenburger

Angélique Litzenburger

Angélique

Joseph Bour

Joseph Bour

Michel

Mario Theis

Mario Theis

Mario

Samuel Theis

Samuel Theis

Samuel

S

Séverine Litzenburger

Séverine

C

Cynthia Litzenburger

Cynthia

Court is in session

Put Party Girl on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.