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Sex and the City 2

Sex and the City 2

Comedy · Drama · Romance · 2010

Carrie, Charlotte, and Miranda are all married now, but they're still up for a little fun in the sun. When Samantha gets the chance to visit one of the most extravagant vacation destinations on the planet and offers to bring them all along, they surmise that a women-only retreat may be the perfect excuse to eschew their responsibilities and remember what life was like before they decided to settle down.

Movie details

Sex and the City 2

“Carrie on.”

2010 Comedy · Drama · Romance 2h 26m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Carrie, Charlotte, and Miranda are all married now, but they're still up for a little fun in the sun. When Samantha gets the chance to visit one of the most extravagant vacation destinations on the planet and offers to bring them all along, they surmise that a women-only retreat may be the perfect excuse to eschew their responsibilities and remember what life was like before they decided to settle down.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Sex and the City 2?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Michael Patrick King

Written by

Michael Patrick King

Sarah Jessica Parker

Sarah Jessica Parker

Carrie Bradshaw

Kim Cattrall

Kim Cattrall

Samantha Jones

Kristin Davis

Kristin Davis

Charlotte York

Cynthia Nixon

Cynthia Nixon

Miranda Hobbes

Chris Noth

Chris Noth

Mr. Big

David Eigenberg

David Eigenberg

Steve Brady

Evan Handler

Evan Handler

Harry Goldenblatt

Court is in session

Put Sex and the City 2 on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.