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Delirious

Delirious

Comedy · Drama · Romance · 2007

Les, a small-time celebrity photographer desperate to make it big, befriends Toby, a homeless young man with no direction except a vague desire to become an actor. When by chance, Toby becomes romantically involved with K'Harma Leeds, the hottest pop star of the moment, Les grows jealous and plots revenge.

Movie details

Delirious

“Everybody deserves their shot.”

2007 Comedy · Drama · Romance 1h 47m

Critical arithmetic

The consensus, allegedly.

IMDb

6.4 / 10

7.2K votes

Rotten Tomatoes

83 %

Tomatometer

Metacritic

68 / 100

Metascore

TMDB

6.4 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Les, a small-time celebrity photographer desperate to make it big, befriends Toby, a homeless young man with no direction except a vague desire to become an actor. When by chance, Toby becomes romantically involved with K'Harma Leeds, the hottest pop star of the moment, Les grows jealous and plots revenge.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Delirious?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Tom DiCillo

Written by

Tom DiCillo

Steve Buscemi

Steve Buscemi

Les Galantine

Michael Pitt

Michael Pitt

Toby Grace

Alison Lohman

Alison Lohman

K'Harma Leeds

Gina Gershon

Gina Gershon

Dana

Elvis Costello

Elvis Costello

Elvis Costello

Callie Thorne

Callie Thorne

Gabi

Kevin Corrigan

Kevin Corrigan

Ricco

Court is in session

Put Delirious on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.