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Cherry

Cherry

Comedy · Drama · Romance · 2010

Ivy League Freshman, Aaron Milton (17) gets a different kind of education when he falls for Linda (34) a vivacious former wild-child who has returned to college to straighten out her life. The curriculum gets more challenging when Aaron meets Linda's sarcastic 14 year-old daughter, Beth - who quickly develops a crush on him. The math doesn't work in either direction but the dysfunctional triangle becomes a learning experience for all involved.

Movie details

Cherry

“Too young? Too old? You do the math.”

2010 Comedy · Drama · Romance 1h 39m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Ivy League Freshman, Aaron Milton (17) gets a different kind of education when he falls for Linda (34) a vivacious former wild-child who has returned to college to straighten out her life. The curriculum gets more challenging when Aaron meets Linda's sarcastic 14 year-old daughter, Beth - who quickly develops a crush on him. The math doesn't work in either direction but the dysfunctional triangle becomes a learning experience for all involved.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Cherry?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Jeffrey Fine

Written by

Jeffrey Fine

Kyle Gallner

Kyle Gallner

Aaron

Laura Allen

Laura Allen

Linda

Britt Robertson

Britt Robertson

Beth

Matt Walsh

Matt Walsh

Prof. Van Auken

Esai Morales

Esai Morales

Wes

D.C. Pierson

D.C. Pierson

Wild Bill

Zosia Mamet

Zosia Mamet

Darcy

Court is in session

Put Cherry on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.