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The Last Tycoon

The Last Tycoon

Drama · Romance · 1976

Monroe Stahr, a successful movie producer, pursues a beautiful and elusive young woman — all the while working himself to death.

Movie details

The Last Tycoon

“He has the power to make anyone's dream come true... except his own.”

1976 Drama · Romance 2h 3m

Critical arithmetic

The consensus, allegedly.

IMDb

6.2 / 10

9.8K votes

Rotten Tomatoes

33 %

Tomatometer

Metacritic

57 / 100

Metascore

TMDB

6.3 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Monroe Stahr, a successful movie producer, pursues a beautiful and elusive young woman — all the while working himself to death.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Last Tycoon?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Streaming availability data supplied by JustWatch.

Names above the title

The people responsible.

Directed by

Elia Kazan

Written by

Harold Pinter

Robert De Niro

Robert De Niro

Monroe Stahr

Tony Curtis

Tony Curtis

Rodriguez

Robert Mitchum

Robert Mitchum

Pat Brady

Jeanne Moreau

Jeanne Moreau

Didi

Jack Nicholson

Jack Nicholson

Brimmer

Donald Pleasence

Donald Pleasence

Boxley

Ray Milland

Ray Milland

Fleishacker

Court is in session

Put The Last Tycoon on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.