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The Fugitive

The Fugitive

Drama · 1947

Anti-Catholic and anti-cleric policies in the Mexican state of Tabasco lead the revolutionary government to persecute the state's last remaining priest.

Movie details

The Fugitive

“Peril-Laden adventure ... of a man's desperate plight !”

1947 Drama 1h 40m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

Anti-Catholic and anti-cleric policies in the Mexican state of Tabasco lead the revolutionary government to persecute the state's last remaining priest.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Fugitive?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

John Ford

Written by

Dudley Nichols

Henry Fonda

Henry Fonda

A Fugitive

Dolores del Río

Dolores del Río

An Indian Woman

Pedro Armendáriz

Pedro Armendáriz

A Lieutenant of Police

J. Carrol Naish

J. Carrol Naish

A Police Informer

Leo Carrillo

Leo Carrillo

Chief of Police

Ward Bond

Ward Bond

James Calvert, aka 'El Gringo'

Robert Armstrong

Robert Armstrong

Police sergeant

Court is in session

Put The Fugitive on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Prestige Tourist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Adrenaline Seeker

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.